Catriona Robertson is a Scottish–British artist based in London. She graduated with an MA in Sculpture from the Royal College of Art in 2019.

In 2023, she was commissioned by the Saatchi Gallery to create an immersive garden for the Chelsea Flower Show in collaboration with David Green Gardens. The project explored the rewilding of future urban landscapes and imagined post-human ecologies. Following this ambitious commission, she was nominated for Women of the Year 2023 and invited to exhibit Gigantic Pile at The Art House in Wakefield.

Catriona received the Gilbert Bayes Award from the Royal Society of Sculptors in 2022 and was selected for the Benson–Sedgwick Metalwork Residency in 2023.

In 2021, she was awarded Second Prize, UK New Artist of the Year, with an inaugural exhibition at the Saatchi Gallery supported by the Robert Walters Group.

Adam Zoltowski tries to make art in a linguistic way. He seeks to construct concrete sentences, poems, or stories from a tactile vocabulary built from personal elements—objects, processes, and histories. These references include his own body, studio furniture and tools, papers and paperwork, historical art materials from his childhood like Lego and clay, and his autobiographical or historical art-making processes such as polystyrene carving, mould making, fabrication, and drawing.

He aims to locate each object he works on within the broader stream of objects and processes that travel within the same current.

For him, sculpture is the activity of working with scale, material, and reproduction to conjure a dimension where disparate idioms coexist within a kind of dictionary-like framework.

His desire is to transform the object into a ceremonial avatar of its former self—removed from mundane utility and freed into its mythic and poetic potential.

Michael Henley is a London based artist whose work deals primarily the duality of process and ideas. He uses this partnership to push and experiment with his medium (ink, graphite & light) as much as possible which in turn informs the research and concept of each body of work.

Henley’s fascination with organic bodies and the natural world is a huge influence on his work and through this he aims to create highly detailed pieces that act as portals or, perhaps beacons that invite further inspection wherever they may be. 

Coral Churchill’s paintings takes inspiration from natural forms reflecting cloud, land and seascapes and merging biomorphic structures and forms. The horizon is a connecting and repeating point, with prismatic light a central focus to create otherworldly spaces. Images are interlinked, sampling different references from natural forms, photography and botanical illustration. The paintings focus colour into chromatic gradients, echoing the refracted light that rounds each day in sunrises and sunsets. Her work is centred in studies of nature, from the iridescence of jewel-like insects to deep sea creatures and their strange neon bioluminescent lights.

I am interested in the language between contrasting materials when situated in the same body. I prefer to work in a more intuitive, less regimented way. My sculptures often build themselves and are very process based in this sense.

Lukas Leisinger (b. 2001) is a visual artist who has recently graduated from University of the Arts London, Chelsea College of Art and Design. He works primarily with the medium of painting, although photography and film strongly influence and are often source material for his work. His skills are self taught from reading about artists and their techniques. Combining classical technique with contemporary imagery, Lukas’ practice explores themes of memory, human condition and time.

Telen Rodwell is a London-based videographer and photographer who runs the creative studio My Film People. With a background in storytelling and a passion for capturing authentic moments, Telen creates visually rich content across commercial, event, corporate, and charity projects.

Natasha Brown is a UK-based South African artist invested in both making and teaching.She holds a BA in Fine Art from the University of the Witwatersrand (Johannesburg, South Africa, 2015-2018) and an MA in Fine Art from Central Saint Martins (2020-2022).

She pays attention to the affective nature of teaching spaces and is dedicated to research into alternative and accessible pedagogies, with a specific interest in workshops involving themes of sincerity and practical illusion. Her personal painting practice informs her work as a foundation and
adult education tutor.

She is one half of the public-practice duo “Wiggle Room”.

Nina Gonzalez-Park (b. 1993, Tokyo) graduated with distinction from Boston University with a BA in Neuroscience in 2015 and later obtained her Masters from Central Saint Martins in 2023. She has been awarded residencies with the University of Tokyo (2023) and with Hestercombe Gardens (2024). She has exhibited internationally in the UK, Poland, and Japan.

James Grossman is a Multidisciplinary Artist based in London (2001). His work employs the experimentation of new technologies that result in tactile installations. Addressing our innate need for touch. Combining his background in Product Design with his love of form and sculpture he explores the relationships between organic forms in the natural and digital realms. The formulation of his designs is primarily constructed through simulations and digital craftsmanship to create works incorporating themes of tactility, connection, and containment.

Working across a range of mediums such as sculpture, installation, and video, Wengio (Yoyo) Wong reflects on how we deal with the inevitable changes in human behaviors and emotions in the contemporary digital era, by weaving together the fragmented memories, history, mythology and architectural elements referencing her cultural heritage.

Wong holds a BFA with First Class Honours at the RMIT, Australia (2015) and an MA Sculpture at the RCA (2024). She is the recipient of the Gilbert Bayes RCA Award (2024), RCA+South Thames College Group Artist in Residency (2024-25), and has been awarded the 8th Orient Foundation Art Award (2019).

Sidonie Rose Knight (b. 1999, London) is an emerging experimental multidisciplinary artist whose work bridges the realms of art and science. Graduating from The University of Leeds with a BA (Hons) in Fine Art, she was shortlisted for the FUAM Graduate Art Prize. Following this, she received a scholarship to pursue an MA in Art and Science at Central Saint Martins. Sidonie’s work gained recognition at the Muse Residency 2024 Competition Summer Group Show, London. She proceeded to travel through South America, drawing creative inspiration from her journey. Now back in London, she is participating in The XYZ residency programme.

Margarita Frančeska Ieva Loze (b. 1997, Latvia) is an experimental multidisciplinary artist currently based between London and Riga. She studied BA(Hons) Fine Art: Painting at the Wimbledon College of Arts, UAL (2021) and MA Fine Art in Kingston School of Art (2023). She is a member of the Art/Work Association at the artist-run organisation Auto Italia and a member of the ACS Society. In 2024, Margarita participated at The Muse Residency in London and Frenkiel Ponti art foundation in Montenero Val Cocchiara in Italy. In the year 2022, she was selected for the Venice Biennale Fellowship Programme.

Francesco Felletti (UK-based Italian artist) and Natasha Brown (UK-based South African artist),after graduating from MA Fine Art at Central Saint Martins together (2022), have been working collaboratively as the duo “Wiggle Room” on a number of public-facing, research-based, fun-and-games projects. Their practice questions the role of the artist in both public and private spaces and communities. They focus on creating adaptive, temporary works that interact with stories and context to produce public interventions.

Kirti is an Indian multi-disciplinary artist based in London who works in printmaking, photography, and ceramic sculpture.

Influenced by her mother’s challenge to patriarchal norms, her art investigates nature, spirituality, and gender, aiming to offer a contemplative experience. 

Deeply connected to natural elements, she engages directly with materials, involving all her senses.

This physicality is evident in her printmaking and ceramics, where she explores natural landscapes, minimalist architectural forms, and symbolic elements.

The circle, symbolizing time, seasons, philosophy, and the universe, captivates me and serves as a central motif in her recent exploration of semiology, iconography, and spirituality.

Her evolving practice towards minimalism is reflected in the current work, where simple, meditative forms foster serene, contemplative experiences that encourage viewers to pause and reflect.

A recent strand of research within her practice, takes a starting point from ancient Indian knowledge, examining how art historically represents culture and its contemporary relevance, especially under patriarchal influences.

Through an interplay of mediums and forms, she creates a dialogue between pieces, inviting contemplation of interconnected ideas and energies.